Sure, you can get similar LUTs in Premiere and Resolve - however, I believe the LUTs in FCPX feel more pristine and polished, and they ultimately yield a better final image. 709 color space, and FCPX has a number of high-quality camera conversion LUTs built right in.Īs someone who almost always films in Canon LOG 2, having a quick conversion LUT is vital. What’s the best way to set Saturation in Final Cut Pro X Short answer: Set Saturation ‘downstream’ of your initial Primary Correction. Shooting in any LOG format begs for a LUT to quickly grade the footage back to a palatable REC. Take a closer look at a few of them following this general “how to” tutorial that covers the fast and easy basics of working with color in FCPX.
Transition a video clip to black and white by desaturating, increasing co. You can download a fully functional 7-Day trial, which is what I did for this overview. How to adjust the color, exposure and saturation of video clips in Final Cut Pro X. This will let us cover and remove the blue.
Nonetheless, with the right tools, eye-catching color is well within the reach of every videographer.įinal Cut Pro X features a pretty wide selection of built-in tools that can help video editors nail their desired aesthetic. Color Finale is from Color Grading Central, masterminded by Denver Riddle. Add an edge mask over the right side of the frame.
Let’s look at how these tools can help you elevate your color process.Ĭolor grading skills take time to refine and develop, and legitimate expertise requires practice and experience. FCPX’s array of built-in tools allows you to get the best color possible out of your videos.